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No More Wimpy Notes! |
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The coolest thing about this section of Halftime Magazine is that even if you don’t play the same instrument as my colleagues or me, you can still get some really useful information. But this column’s different: If you don’t play clarinet, you’ll gain nothing by reading beyond this paragraph. |
What's in a Mouthpiece? |
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The mouthpiece creates the crucial connection between body and instrument, transferring vibrations from your lips to the horn. Finding the right mouthpiece for your body can make a big difference in how you play your instrument. |
Tuning Tenors |
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Marching tenors (a.k.a
“tenors,” “quads,” “quints,”
“multi-tenors” or “toms”)
have become an important
and interesting voice in
the marching percussion
ensemble. They occupy
the critical mid-ground
between the “soprano”
voice (snares) and the “baritone-bass” voice (bass
drums) in the battery choir. Learn how to tune your tenors to get the most out of this important voice. |
Why Winter Guard? |
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As marching band season draws to a close, performers throughout the world are gearing up for the challenge and excitement of winter guard! Are you trying to decide if winter guard is right for you? Maybe you’re thinking about starting one at your school? Here are a few points to consider! |
Halftime Magazine®, a bimonthly print publication and online community, presents the sights, sounds and spirit of the marching arts, providing education, entertainment and inspiration for students, directors, alumni and fans of high school marching band, college marching band, drum corps, color guard and winter guard, indoor drum line or percussion, and all-age ensembles. |
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