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    <lastBuildDate>Tue, 22 May 2012 16:08:28 -0700</lastBuildDate>

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      <pubDate>Thu, 29 Jul 2010 21:45:00 -0700</pubDate>
      <title>Overcoming Boredom</title>
      <description>&lt;p&gt;I got an email recently from someone who is “bored” with their playing and wondered what suggestions I had to help. As musicians, we can become familiar with our own style sometimes to a point of boredom, frustration or even contempt.

Don’t let it get you down. We must be creative and inspired about finding ways to be creative and...</description>
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      <pubDate>Thu, 29 Jul 2010 21:40:00 -0700</pubDate>
      <title>Tongue Talk</title>
      <description>&lt;p&gt;The tongue helps determine
the forcefulness of
the initial air expulsion
(the attack), the velocity
of the air to follow and the
duration of each burst of air
(staccato vs. slurred). The
primary syllables involved
are aa, oo, ee; daa, doo,
dee; and taa, too, tee.&lt;/p&gt;</description>
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      <pubDate>Thu, 29 Jul 2010 21:35:00 -0700</pubDate>
      <title>Practice for Performance</title>
      <description>&lt;p&gt;What do some of the best
groups do that maybe yours
doesn’t? They recreate the
show experience in as much
detail as possible. Find out how.&lt;/p&gt;</description>
      <category domain="http://halftimemag.com/articles/07-2010/07-2010-sectionals/index.html">Sectionals</category>
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      <pubDate>Thu, 29 Jul 2010 21:17:00 -0700</pubDate>
      <title>Engage the Upper Arms</title>
      <description>&lt;p&gt;Many performers focus only on their wrists and forearm muscles when spinning or stopping the rifle. But the muscles in your upper arms and chest are extremely important for powerful tosses and even more important for strong, solid catches. This applies to flag as well. Here are a few tips.&lt;/p&gt;</description>
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