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      <pubDate>Thu, 22 Jan 2009 18:12:00 -0800</pubDate>
      <title>The Art in Articulation</title>
      <description>&lt;p&gt;How many ways can you articulate a note? This question is akin to asking: How many ways can you articulate spoken words and phrases? Saxophonist and composer Jeff Coffin explains&amp;nbsp;some of the limitless ways to articulate.&lt;/p&gt;</description>
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      <pubDate>Thu, 22 Jan 2009 18:02:00 -0800</pubDate>
      <title>Choosing a Mouthpiece (Part 2)</title>
      <description>&lt;p&gt;Finding the right mouthpiece for you is not easy; there are many to choose from. While generalizations can be made—symphonic players tend to prefer large mouthpieces, lead players tend to prefer smaller ones— each player has a unique physical makeup and a specific set of playing requirements. Trumpet player Chase Sanborn explains how to...</description>
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      <pubDate>Thu, 22 Jan 2009 18:01:00 -0800</pubDate>
      <title>Tuning Bass Drums</title>
      <description>&lt;p&gt;Ever wonder how to best tune bass drums to improve your band&#039;s sound? Percussion teacher, arranger and clinician Dennis DeLucia explains how. &lt;/p&gt;</description>
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      <pubDate>Thu, 22 Jan 2009 17:55:00 -0800</pubDate>
      <title>When It&#039;s Good to Cheat</title>
      <description>&lt;p&gt;It is important to know the correct hand placement for every count of your routines. Consistent hand placement across the ensemble can make the difference between a clean equipment phrase and a dirty one. Color Guard instructor Catina Anderson explains how to perfect your group&#039;s hand placement. &lt;/p&gt;</description>
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